Changing depending on the viewer’s point of observation and movements, the focal distance and shallow depth of field reveals zones of the scene while others fade away. Photosynthèse is a lenticular artwork that displays a wavering forest made of millions of particles that shift from blurry to sharp. Source: Ribeiro et.al 46 years of environmental records from the Nevado Illimaniglacier group, Bolivia, using digital photogrammetry The increasing glacier retreat at the Nevado Illimani site. Reduction from 1983 onwards that may be the main factor in Eastslope/north-face glaciers have shown a greater retreat thanthose set on the west/south face of the mountain.īy comparing these results with accumulation rates,ĭetermined from a local ice core, we identified a marked The number of glacierīasins has also reduced since 1963, from 26 to 22. Phases: 12% from 1963 to 1983, and a further 26% in theįollowing 26 years (up to 2009). Nevado Illimani lost 9.49 1.09 km2 of its glacierĪrea from 1963 to 2009. The Hydrous, a science communication non-profit, is using ReMake to create detailed 3D models of coral reefs to monitor changes in size and color for conservation efforts.© All rights reserved, don´t use this image without my permission.Louise Leakey used the technology to create digital replicas of the oldest stone tools known to man to share with scholars and enthusiasts in the African Fossils virtual laboratory. Hardshell Labs to create digital models of tortoise shells for 3D printing and conservation efforts to help save desert tortoises.The Smithsonian Institution teamed with Autodesk to scan and create a 3D model of the iconic Apollo 11 command module for preservation, education and further research.
#Autodesk memento coral software#
#Autodesk memento coral mac#
The software is currently available for PC, with a Mac version planned soon.Īutodesk offers a number of examples of how the software has already been used in unexpected ways: “The positive feedback we’ve received on how simple ReMake is to use is very encouraging, as making complex technology easy-to-use was our main driver.” “We are amazed by the creativity of our Beta community and the variety of industries using ReMake software,” said Tatjana Dzambazova, Senior Product Manager at Autodesk in a prepared statement. It’s not just for spec’d-out computers anymore.Īll of these developments are meant to help further Autodesk’s goal of making reality capture data easy to work with across a wide variety of industries, and for a large number of users. Since Autodesk’s cloud-computing resources handle the heavy computing load, this means the software will run on a wide variety of internet-connected devices. Notably, ReMake is also the latest Autodesk software to receive the cloud treatment. ReMake can visualize and edit models of up to one billion polygons, which Autodesk says is typical of detailed captures using multiple sensors. Theses meshes are smaller and require less computing power to manipulate than denser 3D like point clouds. It’s been a few years since Autodesk announced their Memento product, a software solution for “converting any reality capture input (photos, scans) into high resolution 3D digital mesh replicas.” In that time, Memento has been in Beta testing, meaning customers have been trying it out and giving Autodesk the real-world feedback needed to finalize the software.Īs of today, the Memento solution is available as a commercial release with a new name: ReMake.Īutodesk explains that the new ReMake includes a “smart toolset” that enables users to “clean, repair, and optimize the mesh for design and engineering workflows, digital archiving, interactive AR/VR experiences, and fabrication.”